Images of war are used by US media outlets to
boost ratings. From the on location photo journalist, to the deputy
picture editor who ultimately makes the decision whether a photograph is
publishable, the depiction of war images shown to the US public is heavily
constrained institutionally, by the news agency, and by the established rules
on what images can be depicted.
Limited Images
The constraints placed on news
media agencies as to the content of images being displayed to the US public
borders on censorship and has a fundamental function of shielding the viewers
from the inevitable atrocities of war. US
news media organizations have constraints on how they can represent images of
war. Some of these restrictions include the depiction of sexual violence
and body parts, both a consequence of war. The constraints and rules
placed on news media agencies, from media "gatekeeping”, to government, imposes
rules as to what images are permitted.Along
with the financial pressures of the high cost of having journalists in the
conflict zone, a journalistic environment is created which not only fosters the
photo journalists to self-edit and self-censor , but also restricts the types
of photographs taken. This results in an inaccurate
and idolized portrayal of war. The pressures on photojournalists to
produce images which captivate the US audience, depicting impact and drama,
while being sensitive to not showing gruesome images, constricts the photojournalists
from portraying an accurate representation the consequences of war. The
contradiction between the US public’s demand for images which impact the
audience and show controversy, while adhering to the rules placed on
them to prohibit the depiction of the true hell and suffering that war brings
to all who come in contact with it, constrains news media agencies.
Disconnected Public
Since
World War II the US has been involved in a plethora of military conflicts, many
which the US public has limited knowledge about. Although the U.S. is
quick to intervene and show force, the consequences of their presence is seldom
understood. The general disconnect between the U.S. public and the role that
the U.S. plays as a rule enforcer in the world causes a lack of understanding
of the impact the US military has had on many different countries. Images of
the conflict are deliberately “tamed” in order to ensure that the public is not
turned off by gruesome images of war. The disconnection between what is
shown and what is actually happening on the ground creates an idealized vision
of war and the impact of war. Most people in the United States have never
experienced war and have a glorified, “Hollywood-like” impression of war. This
phenomenon can be observed in many aspects of US society. From the
glorification of past wars to the marketing of war video games the idealization
of war is deeply rooted in the American psyche.
If the US public was exposed to
“real” images of war it would be increasingly difficult for the government to
justify military action to their citizens. By prohibiting images of rape,
torture and dismemberment the US public is unable to grasp the true identity
and consequences of war and those who suffer. Although
images of war can be disturbing for a viewer, it should be up to the observer
to come to their own conclusions. The self-censored environment, created by
news media institutions and the U.S. government, has constrained the
journalists and do not allow them to portray the images which they feel best
describes the situation in a conflict zone. The U.S. publics’ inability to
grasp the consequences of war results in an apathetic attitude towards military
intervention. [1]
[1]
Westwell, G. “Accidental Napalm Attack and the Hegemonic Visions of America’s
War in Vietnam,” Critical Studies in
Media Communication, Routledge.